Raveen Panday (Vocals & Keyboards) started out as a backup singer with the Chronic Blues Band and took up keyboards in 1997. Now, a decade later, he's the quintessential bluesman… pounding the keys and hollering the blues. Before joining Barracuda Blues Band, Raveen was part of several other Bangalore bands including Stretch, The Bacon Samba Ensemble and The Little Big Blues Band. His musical idols include Pinetop Perkins, Dr. John, Herbie Hancock, Muddy Waters, Willie Dixon and several others. | |
Vasudev "Dev" Prabhu (Harmonica & Vocals) first heard the hauntingly beautiful wail of the blues harp as a teenager. Instantly, he knew he had to answer that call. Armed with a diatonic harp and a deep passion for the blues, Dev spent over a decade pursuing that Chicago blues sound. Along the way, he played with several city musicians before co-founding the Barracuda Blues Band. Dev's harmonica gurus include James Cotton, Billy Branch, Paul Butterfield and Kim Wilson. | |
Greg Hamra (Drums) joined the Bangalore music scene in 2004 and has since played drums for various city bands including Old Jungle Saying, Yell-O and Aatma. A rocker by heart, and a communication skills trainer by profession, Greg co-founded the Barracuda Blues Band and is the champion of 'funky, groovy stuff'. He digs Chad Smith, Jimmy Chamberlin, Dennis Chambers, John Bonham and many other great drummers. | |
Niranjan Burke (Guitars) is the band's axe-man who straddles several genres of music including rock, blues and jazz. Ninja, as he's popularly known, co-founded a jazz-rock band called Aatma before joining the Barracuda Blues Band and has since helped the band create a unique sound. Ninja's musical influences include Miles Davis , George Benson, John McLaughlin, Tribal Tech, Chick Corea, Grateful Dead and the Beatles. |
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Vinod D'sa (Bass) Four strings instead of six, a larger fingerboard to play on and a fascination with low-end thump led VD to heft a bass. Moonlighting in local strip joints whilst in college helped him polish his licks that were then exported to weddings, college festivals, beach jams and even, paradoxically, churches. |